OK, this may be redundant to art nerds but I just wanted to express my true love for the UbuWeb archive. It is utopian, anarchistic, unbridled academic pretension at its best, anti-capitalistic independent obscure art distribution of audio and video. As I am only a painter and not internet savvy, I generally look up hard to find art videos on youtube. I mean, one doesn’t always need to go white room perusing. When I was in school the video art library took so long in comparison, those days of looking up, renting and rewinding battered vhs tapes. Then I remember UbuWeb. Everytime I visit this site, I am so amazed and thankful for it. What a great, and free, learning resource that refuses to advertise or promote itself. That's so cool. ‘Deleuzian nomadic model’!
If you haven’t had a chance to explore, I highly recommend it. Especially in light of the current SOPA, PIPA, ACTA wars, this site is an ideal example of what the internet is capable of being.
http://www.ubu.com/
UBUWEB MANIFESTO FROM THEIR WEBSITE LAST YEAR WHEN I MEANT TO WRITE THIS ARTICLE (it has since changed…)
Concrete poetry's utopian pan-internationalist bent was clearly articulated by Max Bense in 1965 when he stated, "…concrete poetry does not separate languages; it unites them; it combines them. It is this part of its linguistic intention that makes concrete poetry the first international poetical movement." Its ideogrammatic self-contained, exportable, universally accessible content mirrors the utopian pan-linguistic dreams of cross-platform efforts on today's Internet; Adobe's PDF (portable document format) and Sun System's Java programming language each strive for similarly universal comprehension. The pioneers of concrete poetry could only dream of the now-standard tools used to make language move and morph, stream and scream, distributed worldwide instantaneously at little cost.
Essentially a gift economy, poetry is the perfect space to practice utopian politics. Freed from profit-making constraints or cumbersome fabrication considerations, information can literally "be free": on UbuWeb, we give it away and have been doing so since 1996. We publish in full color for pennies. We receive submissions Monday morning and publish them Monday afternoon. UbuWeb's work never goes "out of print." UbuWeb is a never-ending work in progress: many hands are continually building it on many platforms.
UbuWeb has no need for money, funding or backers. Our web space is provided by an alliance of interests sympathetic to our vision. Donors with an excess of bandwidth contribute to our cause. All labour and editorial work is voluntary; no money changes hands. Totally independent from institutional support, UbuWeb is free from academic bureaucracy and its attendant infighting, which often results in compromised solutions; we have no one to please but ourselves.
UbuWeb posts much of its content without permission; we rip out-of-print LPs into sound files; we scan as many old books as we can get our hands on; we post essays as fast as we can OCR them. UbuWeb is an unlimited resource with unlimited space to fill. It is in this way that the site has grown to encompass hundreds of artists, hundreds of gigabytes of sound files, books, texts and videos.
Sounds like a marginal situation? Hardly. We've won many prestigious internet awards and are acknowledged web-wide as the definitive source for Visual, Concrete + Sound Poetry. UbuWeb is on the syllabus of countless schools; we've gotten queries from Ph.D. candidates seeking information to third-graders researching a paper on concrete poetry. UbuWeb embodies an unstable community, neither vertical nor horizontal but rather a Deleuzian nomadic model: a 4-dimensional space simultaneously expanding and contracting in every direction, growing "rhizomatically" with ever-increasing unpredictability and uncanniness.
-The Editors
